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Richie's Picks: BLUE LIPSTICK: CONCRETE POEMS  by John Grandits, Clarion, May 
2007, ISBN: 0-618-56860-3 (hardcover)  0-618-85132-1 (paperback).
 
Three years after its publication, I continue to  regularly turn middle 
school students onto John Grandits'  first, incredibly fun book of concrete poems.  
That first book,  TECHNICALLY, IT'S NOT MY FAULT, which is made up of a 
series of  poems that are created through an interplay of text and graphics, 
involves the  exploits of a boy named Robert.  The fun begins on the front cover  
with the title poem in which Robert explains how he has duplicated Galileo's  
discovery of the constancy of gravity by dropping a tomato and a concrete block  
out of the attic window with unforeseen results.
 
"...Boy, did I ever learn a lesson -- and that's the important  thing, isn't 
it?  I mean, even if you know something for a fact, like heavy  stuff falls 
faster than light stuff, it's best to check it with a   carefully planned 
scientific experiment.  Oh, yeah, and I also learned not  to drop concrete blocks 
out of the attic window.  But in my opinion, the  experiment was totally worth 
doing.  There was just a slight mix-up, one  tiny detail  that went wrong, so 
even though the car has a concrete block  sticking out of the roof, 
technically, IT'S NOT MY FAULT"
 
Creatively employing QuarkXPress software, Photoshop, and  dozens of 
typefaces I'd never previously encountered, Grandits creates such  memorable shaped 
poems as "Just Mow the Lawn," "The Thank-You Letter" (with  exceptionally rude 
footnotes), "TyrannosaurBus Rex," and (my favorite) "The  Autobiography of 
Murray the Fart."
 
From several of the concrete poems found  in TECHNICALLY, IT'S NOT MY FAULT, 
we learn about Robert's big sister,  Jessie.  For instance, in "My Sister is 
Crazy," Robert quotes Jessie's  explanation for her wearing a "little 
pyramid-shaped hat" (It involves the  Egyptians and the Aztecs...or maybe it's the 
Incas.), in "It's Not Fair"  Robert wraps Jessie's algebra homework around a 
bottle rocket and lights  the fuse, and in "Bloodcurdling Screams" Robert 
demonstrates (with a very  long, red, spiral-shaped line of text) how, "My sister 
makes 
this cool  noise when she's in the shower and I flush the toilet."
 
Now, in BLUE LIPSTICK, Grandits' second collection of concrete  poems, Jessie 
is given her chance to respond.  In addition to such  tragic and poetic tales 
as "Bad Hair Day" (It's suddenly blue like the  lipstick.), "point A to point 
B (a plea for a ride to school)," and "My  Absolutely Bad Cranky Day," we get 
to witness Robert's comeuppance in  poems like "Talking to My Stupid Younger 
Brother  Is Like  Swimming Upstream in a River to Nowhere," and "Tattoo and 
Tongue Stud" (a  poem in the shape of a tongue with the stud in the middle):
 
"I walk into the kitchen.  Robert is at  the 
table, eating ice cream.  I sit down beside  him
and casually push up my sleeve so he'll see it:
My new tattoo.  It says, 'Sex, Drugs, &  Rock 'n'
Roll' in spiky goth letters.  'What the heck  is
that?' he screams.  I smile.  This is working  out
just fine.  'It'th a tattoo,' I say, all  innocent-
like.  'What's wrong with you?' he demands.
'Why are you lisping?'  I stick out my  tongue,
and there it is: a perfect little silver stud,
right in the center.  Robert starts pumping
his arm like he just won a million bucks. 
' Yessss!  You are in soooo much trouble,'  he
says.  'Wait till Mom and Dad see this.  Dad  will
kill you, and then Mom will ground you for 
life.'  I give him a big yawn.  'Who  care'th?'
I say.  'You will, when I tell them,' he  says.
'They;re at the neighbors', and I'm going to  go 
get them.'  He takes off, and I can hear him
yelling, 'Mom!  Dad!' all the way down the  street.
How perfect is this?  I slide off the magnetic 
tongue stud.  I wash off the temporary  tattoo.
And while I wait for my parents to come rushing
home, I practice saying, 'I don't know
what Robert is talking about.  Maybe
he needs counseling.'  This is going 
to be great." 
 
This stuff is so much fun (and so evil) that you've got  to believe students 
will be looking to take a crack at developing some of their  own concrete 
poems.  And when they do, it will definitely liven up the  visuals of a classroom 
or teen section poetry  wall.   
 

Richie  Partington, MLIS
Richie's Picks http://richiespicks.com
Moderator,  http://groups.yahoo.com/group/middle_school_lit/
BudNotBuddy@aol.com
http://www.myspace.com/richiespicks






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